Einar Englund’s Violin Concerto of 1981 is one of the major violin concertos of the past century – and not just from Finland.
For all the passion at the climax of the Balada and the lusty drama of the last of the Four Songs, the music here sings Rautavaara to rest in the rich autumnal tones that are unmistakably his.
The aesthetic pluralism represented here is remarkable; Bergman pushes the envelope of musical expression. Matti Hyökki, with a group of professional singers, masters even the trickiest passages with aplomb.
On Alba’s new recording, Henri Sigfridsson makes the most of Palmgren’s brilliant solo parts in The River (Piano Concerto no. 2) and Metamorphoses (no. 3) without reducing them to shallow virtuoso vehicles.
Oh yes! One of the best releases this year is the gilt-edged calling card of accordionist-composer Veli Kujala that simultaneously slakes a thirst for something new and strikes a nostalgic chord.
Olavi Louhivuori splashed on to the scene in 2002 as drummer of Ilmiliekki Quartet. Since then, this restless multi-instrumentalist has played with the genre-shattering Oddarrang and many other groups in Europe and the US – while at the same time composing for orchestras and electronic solo albums.
“If you look far enough back in any culture, music is born out of many different aspects and influences, including the physical environment that you live in. This is the key for me, finding your own points of connection with your culture, whatever that might be,” says widely travelled multi-instrumentalist Nathan Riki Thomson.
In this issue we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do the people who create, consume and study music find in it today?
Growing up in roughly beautiful Lapland has affected Outi Tarkiainen’s personality and her voice as a composer. For her, music is almost like a force of nature, which can change people and their destinies. Andrew Mellor met Tarkiainen in Rovaniemi.
Susanna Mälkki began her three-year term as Chief Conductor of the Helsinki Philharmonic Orchestra this autumn. We asked her about the themes of her first HPO year and whether she sees any links between music and the cultural environment.
How does the latitude of Finland affect creativity among musicians, aesthetically and politically? Andrew Mellor asked some Finns, non-Finns and almost-Finns…
Radiopuhelimet has been performing “rural rock music” in Finnish for three decades. The visions embraced by the band are realistic, sometimes repellently so. Vocalist J.A. Mäki remarks that, even though humankind deserves it, nature does not take revenge. Nature merely is.