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Opera is not necessarily the elitist pursuit of only a small city set. Pentti Tynkkynen, a church musician living at idyllic little Punkaharju in Eastern Finland, composes opera on the community’s terms.

"As a worldwide sub-culture, heavy metal is an excellent example of the specialised communities that emerge in modern society, governed by individual preferences rather than a shared physical environment – similar music tastes or, say, consumer choices."

What if the aim of music education was not to focus on producing masters, but to create a lifelong, enthusiastic connection with music, where an essential part is making music together? This is exactly what the Kaustinen-based Näppäri method strives for.

Over the decades, music has been an important element in the shaping of the identity of Finland’s Swedish-speaking population. Yet this minority has never had a uniform culture and still does not; today, discussion focuses increasingly on the variations of Finland-Swedish culture and its constant state of flux.

The recent immigration wave into Europe has proved that where there is no common language, music and art can provide an important communication avenue between immigrants and locals. Through art, immigrants are able to express their own culture but also to give a voice even to their most harrowing experiences. Likewise, music played a pivotal role for Finnish immigrants in America in the turn of the 20th century. It enabled them to maintain their Finnish identity in the new environment and to integrate into American society.

In this Special Feature FMQ takes a look at the fascinating network of relationships between music, community and identity. We discuss the role of music in building communities on the one hand and specialised, music-based communities on the other.

The cultural cold war between the superpowers that began after the Second World War played a major role in shaping the international arts and culture scene as we know it today. This series of articles discusses the impacts of cultural diplomacy, particularly that of the USA, on Finnish music from the days of the Cold War to the present. The second part focuses on the complex and diverse network of cultural diplomacy efforts aimed at Finland by the USA in the 1950s.

"The material is well chosen to represent the different characteristics of the Finnish tango, and of course Sväng builds on the story with their own compositions".

"An unashamedly wonderful album: light and deep at the same time."