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On Alba’s new recording, Henri Sigfridsson makes the most of Palmgren’s brilliant solo parts in The River (Piano Concerto no. 2) and Metamorphoses (no. 3) without reducing them to shallow virtuoso vehicles.

The aesthetic pluralism represented here is remarkable; Bergman pushes the envelope of musical expression. Matti Hyökki, with a group of professional singers, masters even the trickiest passages with aplomb.

For all the passion at the climax of the Balada and the lusty drama of the last of the Four Songs, the music here sings Rautavaara to rest in the rich autumnal tones that are unmistakably his.

How does the latitude of Finland affect creativity among musicians, aesthetically and politically? Andrew Mellor asked some Finns, non-Finns and almost-Finns…

Olavi Louhivuori splashed on to the scene in 2002 as drummer of Ilmiliekki Quartet, which scooped up Finnish and Nordic jazz awards. Since then, this restless multi-instrumentalist has played with the genre-shattering Oddarrang and many other groups in Europe and the US – while at the same time composing for orchestras and electronic solo albums.

Susanna Mälkki began her three-year term as Chief Conductor of the Helsinki Philharmonic Orchestra this autumn. We asked her about the themes of her first HPO year and her thoughts about links between music and the cultural environment.

In this issue we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do the people who create, consume and study music find in it today?

Radiopuhelimet has been performing “rural rock music” in Finnish for three decades. The visions embraced by the band are realistic, sometimes repellently so. Vocalist J.A. Mäki remarks that, even though humankind deserves it, nature does not take revenge. Nature merely is.

Cut off a piece of willow, construct a whistle and blow through it – this is as close as it gets to a perfect combination of the roles of musician and instrument maker. Although this kind of playing has not always been considered as music, folk wind instruments have gradually taken their place among contemporary folk music instruments.