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"defunensemble is a Finnish group specialising in electroacoustic music. This new double CD introduces the ensemble’s versatility. One of the discs displays works for solo instruments and electronics, while the other is built around various ensemble configurations."

The nature of folk music has always included the shameless borrowing of refreshing material from elsewhere – right now Baltic Finnish influences are rising to the top in Finland.

Whatever the geopolitical or economic situation, music remains one of the best tools for fostering understanding between peoples. It is the first step across all manner of borders – to the alien, the other.

Concert promoter, journalist and music export researcher Dr Greg Goldenzwaig takes a look at the import-export of rock and pop music between Finland and Russia. Some things have changed for sure in the past ten years.

The Tampere Biennale celebrates its 30th anniversary this year. Launched in 1986 and held in April in even-numbered years, its profile is that of a domestic review of contemporary classical music, with commissioned works and premieres. It alternates with Musica nova Helsinki, which is more international in content and is held in odd-numbered years.

From the 1950s through to the 1980s, Russian songs in Finnish translation made their way into Finnish ears through record players and radio waves. Today, it is possible to dance to live Russian-language music in Finland, partly thanks to the Tusovka Association, established in 1998.

Music is strongly associated with the Romani people. Singing was always a part of travelling with horse-drawn wagons or sleighs, or resting by the campfire. Music still occupies a large role in the lives of many Romani today, even as traditional lifestyles are being replaced by modern ones.

"It’s enough to say 'this is Sanna' because that means, as ever, a beguiling and compulsive musical journey."

Progress is all about trying out new things, as every forward-thinking artist intrinsically knows. Nevertheless, a case could be made that it is not enough if only the vanguard embraces the unknown. Perhaps all could take a page out of Pepa Päivinen, Janne Tuomi and other open-minded musicians’ book.