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Whatever the geopolitical or economic situation, music remains one of the best tools for fostering understanding between peoples. It is the first step across all manner of borders – to the alien, the other.

Concert promoter, journalist and music export researcher Dr Greg Goldenzwaig takes a look at the import-export of rock and pop music between Finland and Russia. Some things have changed for sure in the past ten years.

The Tampere Biennale celebrates its 30th anniversary this year. Launched in 1986 and held in April in even-numbered years, its profile is that of a domestic review of contemporary classical music, with commissioned works and premieres. It alternates with Musica nova Helsinki, which is more international in content and is held in odd-numbered years.

From the 1950s through to the 1980s, Russian songs in Finnish translation made their way into Finnish ears through record players and radio waves. Today, it is possible to dance to live Russian-language music in Finland, partly thanks to the Tusovka Association, established in 1998.

Music is strongly associated with the Romani people. Singing was always a part of travelling with horse-drawn wagons or sleighs, or resting by the campfire. Music still occupies a large role in the lives of many Romani today, even as traditional lifestyles are being replaced by modern ones.

"It’s enough to say 'this is Sanna' because that means, as ever, a beguiling and compulsive musical journey."

Progress is all about trying out new things, as every forward-thinking artist intrinsically knows. Nevertheless, a case could be made that it is not enough if only the vanguard embraces the unknown. Perhaps all could take a page out of Pepa Päivinen, Janne Tuomi and other open-minded musicians’ book.

Ville Matvejeff is one of the most successful classical musicians in Finland today. He performs as a conductor and pianist around the world, he is artistic director or musical advisor at festivals, and he has composition commissions lined up for several years to come. His career is exceptionally diverse and wide-ranging.

Estonian musicologist Heli Reimann has come a long way, from a country village in Soviet Estonia via Florida to the University of Helsinki. As a musician and a scholar, she immersed herself in Estonian jazz culture in the Stalin era, delving into the reminiscences of musicians of the time and their underground jazz parties.