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Have the legendary Värttinä produced their best ever album after over 30 years together? Viena, their thirteenth studio album, marks a return to their roots which grew out of the excitement of visits back to Karelia to hear, and be inspired by the last surviving runo singers.

Bram van Sambeek presents two valuable additions to the bassoon repertoire. Kalevi Aho wrote his concerto for Bence Bogányi in 2004, while Sebastian Fagerlund’s concerto Mana (2014) was tailor-made for Sambeek himself.

Pianist Iiro Rantala's new trio has already been called the Super Trio, and with stateside dweller Peter Erskine on drums, in addition to Swede Lars Danielsson on bass, the claim seems reasonable.

For those interested in labelling, Oddarrang could easily be lumped in with so-called post-jazz bands if only they relied solely on meandering and moody soundscapes. Oddarang haunts the listener for a long time.

The Helsinki Chamber Choir has always been an ambassador for the most demanding contemporary vocal music and for Finnish music. In summer 2016, the choir is busy hosting the International Einojuhani Rautavaara Workshop and Competition and the Tenso Days festival in Helsinki in August.

"The band of Estonian musicians sounds healthy. Especially notable is Keio Vutt’s strong saxophone playing. Although a bit lacking in originality, this record still is a worthy first effort."

"Teddy’s West Coasters’ Volume 2, like its predecessor, pays homage to the West Coast Cool of the 1950s American jazz scene, an era which has clearly captured the imagination of bandleader/composer/arranger Teppo Mäkynen."

"On Slavic Souls, Dalindèo continue to experiment with the musical influences – jazz, 50s r&b and 60s surf in particular – which defined their award-winning album, Kallio. "

"On Amorandom, Rissanen’s canny music is rooted in the piano trio tradition but is nevertheless forward-looking. "