Stories by

Sometimes a record gives you the impression of sneaking into a secret place, in this case maybe a small house in the forest with a light scent of smoke in the walls.

There’s a real sense of narrative in the music as Kastinen moves between the different instruments in her improvisations, and combines different playing techniques with bows and plucking, slides, sticks and mutes as well as using her own breath.

The album shows great potential in songwriting, singing and production – watch this space.

A delightfully fresh debut disc of originals in the spirit of trad plus new takes on folk music, both instrumental and with vocal seasoning.

Tallari succeeds in transforming into whatever it wishes, something always remains – the fundamental lilt and the soulful playing.

Ante Lucem, a four-piece suite for jazz quintet and symphony orchestra, is not only one of Iro Haarla’s brightest artistic statements so far, but also a waypost in Finnish jazz.

"With Turmio Okra Playground have swept on to Finland’s folk music scene with a distinctive celebration of Finnish traditions and stories driven by captivating energy and passion and an obvious historical perspective."

Cooperation between contemporary music operators in Finland and Russia depends on networks of personal connections built up over a long time. Although there are surprisingly few joint projects, existing relationships continually foster new interaction between the two neighbouring countries, which in turn makes it easier for other contemporary musicians to cross the border.

Interesting things happen in the borderlands between music and sound art. Sub-genres of electronic music, field recordings, studies in improvisation and graphic notation and sound installations continue to open up new pathways for musicians in all genres.