Interfaces with early music

“Early music – broadly defined – is anything but static. It stretches, bends, and reinvents itself in dialogue with a growing array of genres, traditions, and practices. This issue explores how early music and its practices thrive at these various intersections today”, writes Lasse Lehtonen.

Aino Peltomaa and Ilkka Heinonen are musicians who excel in the no-man’s-land between genres, organically shaping their music into something that defies labels. With backgrounds in both early and folk music, they challenge rigid expectations and the usual tendency to categorise. In this interview, they explore the power of collective creativity and embracing the unknown.

An Indian-Italian composer studying Norwegian fiddling in Helsinki? It all comes naturally for Krishna Nagaraja, who traces parallels between far-flung genres, from Ars Subtilior and South Indian Konnakol to Irish folk and progressive metal.

What happens when a composer turns away from the lush, uniform sound of the Romantic orchestra? In this column by composer Olli Virtaperko, the journey from early music instruments to contemporary orchestral challenges reveals a fresh perspective on navigating between different musical ideals.

What can early music have to offer to the culture of music performances at large that the latter does not already have? Quite a lot, as Vancouver-based choir conductor Kari Turunen and versatile soprano Tuuli Lindeberg discover when talking about performing early music, its special nature and its interfaces.

The output of Ensemble Gamut! and its individual members showcases a trend where historically informed becomes the all-inspired.

“Far from resting on their laurels, the 15-year-old Helsinki Baroque Orchestra continue on their chosen path. Their cultural mission – early music – extends beyond Finland,” wrote Elina Roms in this 2012 article about the orchestra. Today remaining vibrant and multifaceted in their activities, this piece provides a fascinating viewpoint to the ensemble as they were in the early 2010s.

This special issue is rich with fascinating examples of the many intersections of early music and early music instruments with other genres and contexts. Our playlist not only offers a convenient cross-section of the music and musicians discussed in the articles but also showcases the versatile contexts in which early music practices and instruments thrive – an aspect explored throughout the issue. Give it a listen!