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cello

Transcendence and transparency
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Transcendence and transparency

Transcendence and transparency

"Take note not just of the eloquence of the cello lines but also of the transparency, the delicacy, the weightless loveliness of so much of the orchestral writing."

Martin Anderson

November 30, 2021

Powerful orchestral images by Fagerlund
Reviews

Powerful orchestral images by Fagerlund

Powerful orchestral images by Fagerlund

"The latest BIS release with Sebastian Fagerlund’s orchestral music includes powerful performances of two works that belong to his most convincing achievements in this genre."

Anna Pulkkis

November 30, 2021

Smith plays Salonen and Saariaho
Reviews

Smith plays Salonen and Saariaho

Smith plays Salonen and Saariaho

"The Ondine recording with works for solo cello by Esa-Pekka Salonen and Kaija Saariaho presents powerful and straightforward interpretations by the US cellist Wilhelmina Smith."

Anna Pulkkis

May 10, 2019

Rautavaara and the cello
Reviews

Rautavaara and the cello

Rautavaara and the cello

"Tetzlaff’s and Süssman’s vision of Rautavaara's music is lucid and profound, never overly sentimental but always highly expressive."

Anna Pulkkis

May 25, 2018

Anssi Karttunen: Discovering the music around myself
Features

Anssi Karttunen: Discovering the music around myself

Anssi Karttunen: Discovering the music around myself

The Finnish cellist Anssi Karttunen is equally at home in a Romantic concerto as in music of the Baroque or the present day. When this article was published, he had just premiered Magnus Lindberg’s Cello Concerto in Paris, on 6 May 1999. He here describes how working with composers of his own day and age can help the performer to enter into the minds of composers who lived and died long ago.

Anssi Karttunen

January 8, 1985

Finnish Music Quarterly
c/o Music Finland
Keilasatama 2 A
FI-02150 Espoo
Finland
ISSN 0782-1069
editor@fmq.fi
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