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Dance

Towards a third practice: of Monteverdi, of change and of virtuoso freedom
Features

Towards a third practice: of Monteverdi, of change and of virtuoso freedom

Towards a third practice: of Monteverdi, of change and of virtuoso freedom

Third Practice, a new production by the Tero Saarinen Company in collaboration with the Helsinki Baroque Orchestra, is a hybrid artwork exploring change, remembering and forgetting, all to the tune of the music of Claudio Monteverdi.

Tove Djupsjöbacka

June 20, 2019

No time to freeze
Reviews

No time to freeze

No time to freeze

"The work, with choreography by Kenneth Greve and Pirjo Toikka, was an immediate success. Obviously this was much thanks to Kantelinen’s accessible music, written clearly with people of every age and background in mind."

February 12, 2013

Dancing in the streets
Features

Dancing in the streets

Dancing in the streets

As trends wax and wane, street dance is becoming globally more prominent with each cycle. In Finland, it’s at the height of its popularity and making inroads into uncharted territory, both artistically and socially.

Arttu Tolonen

February 12, 2013

“A fantastic plaited bun loaf”
Features

“A fantastic plaited bun loaf”

“A fantastic plaited bun loaf”

Three internationally acclaimed Finnish choreographers - Marjo Kuusela, Kenneth Kvarnström and Tero Saarinen - describe how movement and music engage in dialogue in their dance works.

Hannele Jyrkkä

February 12, 2013

Hyperventilation and other funny noises
Features

Hyperventilation and other funny noises

Hyperventilation and other funny noises

Schubert plays while you are threatened at gunpoint. A Saami yoik is refined into Japanese temple music. The soundscape for Le sacre du printemps is created from the rasping breathing of dancers. The sounds of contemporary dance works increasingly occupy a no-man’s-land between conventional composition and sound art.

Aarne Toivonen

February 12, 2013

Pirinen fears no challenges
Reviews

Pirinen fears no challenges

Pirinen fears no challenges

"How does a performance by three dancers merge with, differ from, complement or disagree with an enormous symphonic monolith? After all, Shostakovich’s Leningrad Symphony has already been interpreted, explained and provided with a note-by-note narrative time and time again. Personal Symphonic Moment by Elina Pirinen embraces the challenge."

February 12, 2013

“Why flamenco?!”
Features

“Why flamenco?!”

“Why flamenco?!”

Artists choosing an art form outside the mainstream will find themselves frequently answering the question: Why? Kaari and Roni Martin have created many notable works of contemporary art using the language of flamenco.

Tove Djupsjöbacka

January 8, 1985

From symbiosis to encounter
Features

From symbiosis to encounter

From symbiosis to encounter

Dancing and music used to be joined at the hip. In folk music, this symbiotic relationship was preserved for a long time due to the fact that the bulk of traditional music is actually dance music. Today the connections between these two art forms are being examined at the Sibelius Academy Folk Music Department and through the many and varied projects of the Tsuumi Dance Theatre.

Amanda Kauranne

January 8, 1985

Finnish Music Quarterly
c/o Music Finland
Keilasatama 2 A
FI-02150 Espoo
Finland
ISSN 0782-1069
editor@fmq.fi
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