Ville Raasakka

With their recent albums, Ville Aslak Raasakka and Lauri Supponen take the listener through everyday sounds and silences full of noises and make them rethink their conception of listening, sound and music.

The Tampere Biennale once again showcased a broad spectrum of new music from home and abroad. Instead of the mainstream, the festival focused on the margins of creative musical art and explored interfaces between branches of the arts.

Composer Ville Raasakka creates hyper-realistic music using sources ranging from individual sounds collected in everyday life to entire concerts. His work Hypermarket and hypercommodity for shopping items, piano and chamber orchestra highlights the utter insanity of consumerism.

The Tampere Biennale celebrates its 30th anniversary this year. Launched in 1986 and held in April in even-numbered years, its profile is that of a domestic review of contemporary classical music, with commissioned works and premieres. It alternates with Musica nova Helsinki, which is more international in content and is held in odd-numbered years.